Julie Bartholomew
While recently viewing the documentary Chasing Ice, I experienced the extreme emotional states of being uplifted and then utterly disheartened.
The Journal of Australian Ceramics, 52/1, 2013
2013
During recent decades, art that draws upon an aesthetic language of beauty has been associated with dispair-aging criticism in contemporary art practice and Postmodern art theory.
Ceramics: Art & Perception, No 90, 2012
2012
Chen GuanghuiAssociate Professor of Ceramics Shanghai University
The Journal of Australian Ceramics, Vol 52 No 3, pp. 32-33, 2009
2009
My studio practice is based upon a long-term interest in bodies as a site for the expression of sociaI and culturaI change.
Catalogue essay, Jam Factory, 2009
'History' is a contemporary view of the past. In a strict sense you cannot call history a science.
The Journal of Australian Ceramics, Vol 52 No 3, pp. 22-23, 2009
The conceptual aspects of my installations tend to flow f rom the work itself, rather than the other way around ...
The Journal of Australian Ceramics, Vol 52 No 3, pp. 34-35, 2009
Objects of utility saturate our daily lives yet we continue to pursue titillation by purchasing ormaking more.
Published in the Portage Ceramics Award Catalogue, 2004
2004
Material Deceptions is a recent exhibition of Nicole Lister’s work at the Objectgalleries, Customs House, Circular Quay in Sydney.
Pottery in Australia, 40/4, 2001
2001