Julie Bartholomew
The Journal of Australian Ceramics, 52/1, 2013
2013
While recently viewing the documentary Chasing Ice, I experienced the extreme emotional states of being uplifted and then utterly disheartened.
Ceramics: Art & Perception, No 90, 2012
2012
During recent decades, art that draws upon an aesthetic language of beauty has been associated with dispair-aging criticism in contemporary art practice and Postmodern art theory.
The Journal of Australian Ceramics, Vol 52 No 3, pp. 32-33, 2009
2009
Chen GuanghuiAssociate Professor of Ceramics Shanghai University
Catalogue essay, Jam Factory, 2009
My studio practice is based upon a long-term interest in bodies as a site for the expression of sociaI and culturaI change.
The Journal of Australian Ceramics, Vol 52 No 3, pp. 22-23, 2009
'History' is a contemporary view of the past. In a strict sense you cannot call history a science.
The Journal of Australian Ceramics, Vol 52 No 3, pp. 34-35, 2009
The conceptual aspects of my installations tend to flow f rom the work itself, rather than the other way around ...
Published in the Portage Ceramics Award Catalogue, 2004
2004
Objects of utility saturate our daily lives yet we continue to pursue titillation by purchasing ormaking more.
Pottery in Australia, 40/4, 2001
2001
Material Deceptions is a recent exhibition of Nicole Lister’s work at the Objectgalleries, Customs House, Circular Quay in Sydney.
